An archival diamond necklace

1952 — 2026

The Chronicle

Seventy-four years of a single family’s obsession, kept in ledgers, gouaches and a few well-worn loupes.

Archive of the Maison

1952

Eleven stones

A single vitrine opens in old Delhi with eleven certified stones and a hand-ruled ledger that the family still keeps.

Archival necklace

1964

The first parure

A ceremonial suite of necklace, earrings and maang tikka is commissioned for a Rajasthan wedding — the beginning of the bridal house.

Bridal diamond suite

1978

The atelier

Design, cutting and setting are brought under one roof. Eleven artisans; the same eleven benches are in use today.

Rings on a dark surface

1991

Cutting our own rough

The house begins buying and cutting its own rough, ending a dependence on outside polish that had lasted four decades.

A gemstone under studio light

2004

The salon

Eight rooms at Greater Kailash, arranged like a private residence rather than a shop.

Boutique vitrine

2017

The traceability ledger

Every stone above 0.30 ct is entered with its route from mine to vitrine — published to the client, without exception.

A row of eternity bands

2026

Aurelia

The Maison’s first fully traceable high jewellery collection: seventeen pieces, each one of one.

High jewellery necklaces

From the Archive

Objects that taught us what we know.

“Keep the ledger honest and the rest looks after itself.”

The founder, to his son · 1974